Anti-AI Abuse Policy

What We Do NOT Use AI For:

To be absolutely clear:​

• We do NOT use AI-generated voices for any of our characters.

• We do NOT use AI-generated VO refinement or voice cloning without prior VA consent.

• We do NOT use AI-generated animation for any character movement, fight choreography, or emotional expression.

• We do NOT use AI-generated promotional artwork, character designs, key art, or backgrounds.

• We do NOT use AI-generated storyboards, keyframes, or produce inbetweens.

• We do NOT use AI-generated scripts, dialogue, or story material.

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​No exceptions.

What We May Use AI For:

That said, Studio Kane will not pretend to be anti-technology. That would be dishonest.

Like most modern studios, we occasionally use software tools that incorporate artificial intelligence for technical workflow support only. We're not afraid of being transparent about it.

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These tools may assist with:

• Workflow automation, scripting, and internal R&D

• Stunt choreography reference analysis in conjunction with paid human stunt performers and coordinators

• Lighting, color, and texture exploration for sequence-wide cohesion

• Architectural perspective correction and environmental detailing support

• Script editing, but strictly limited to:

  • typo correction

  • plot inconsistency flagging

  • historical and thematic research support

  • cultural accuracy checks

  • foreign-language refinement assistance under the guidance of paid language and cultural consultants

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These uses exist solely to reduce repetitive strain while improving production efficiency, consistency, and technical accuracy.

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But at Studio Kane, we draw a strict boundary between assistance and authorship:

• Tools may analyze, refine, or transform material created by human artists.

• Tools may not originate, generate, or replace that material.

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This distinction is non-negotiable.

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All final visuals are independently created from the ground up by Studio Kane artists.

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If a piece of content did not begin with human intent and end with human execution,
it does not enter our production pipeline.​

A Forward-Looking Approach

OUTLIER explores trauma, identity, self-sabotage, and codependency.

These are messy human experiences.

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We believe the art reflecting them should be imperfectly human too.

As such, creativity should never be reduced to a prompt.

Whatever reaches the screen, it was created by human hands.

Guaranteed.

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Studio Kane stands with artists, actors, and animators — because we are artists, actors, and animators.

​We boldly invite our supporters to hold us to this claim.

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​And should the spotlight ever find us,

may we never be ashamed to stand at the center of it.

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That is our promise.

Well... second promise.

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You can read about our first one here:

www.studiokane.art/the-sk-promise